Saturday, November 25, 2006

Xiangju Introduction: Xiamen Min-nan Cultural Gezi Opera Troupe

Xiamen Min-nan Cultural Gezi Opera Troupe, if my gathered information is correct, was established only this year, making this troupe one of the youngest to the Hokkien opera arts scene. Not to be confused with Xiamen Municipality Gezi Opera Troupe which is a government sponsored troupe, this troupe is a professional but self-funded one. The troupe consists of mainly young actors, and although they are based in Xiamen, many of the actors are actually speaking in Zhangzhou accent. In fact, their Zhangzhou accent are so strong that I was wondering if these actors are native Zhangzhou people and not Xiamen.

This clip here was taken from the show "Justice Bao Slays The Princess Consort". It tells the story of Pang Xiong, a poor scholar who was saved by a rich man, Chen Qichang, in a flood and was subsequently adopted as his godson. Pang seemed like a refined young man, but he was actually a wolf in sheep's clothing. He seduced Chen's daughter, Xiuying, into having an affair with him, and stole a priceless night-glowing pearl from Chen's son Shirong while he was asleep during their trip to sit for the imperial examinations. Pang topped the imperial examinations, and by chance saved the Princess from a curse with the night-glowing pearl, which was actually a celestial treasure with magical powers. Subsequently, he became the Princess Consort, and Xiuying, who was already pregnant with his child, was left forgotten. Xiuying escaped from home to search for Pang, but was thrown out by him. Afraid that his relationship with Xiuying would hinder his marriage and career, he decided to had Xiuying silenced. Fortunately, Pang failed in his attempt to kill Xiuying, and with the intervention from Justice Bao, the heartless man finally met his desserts and was executed.

Personally, I am not quite pleased with the storyline, for it was far too long-winded. The synopsis I had given earlier was just the essence of the whole show. In the original show, there were other sub-plots like a jade fox spirit trying to create havoc by flooding the Eastern City, Taishang Laojun gave Chen Qichang the magical night-glowing pearl as a protective charm, the Jade fox spirit put a curse on the Princess to make her go crazy, and so on. To be honest, I don't think all these sub-plots do not really contribute much to the main storyline, and can actually be cut down to make the story more streamlined. Another area which I'm not very pleased with the troupe is the standard of the musical ensemble. Though their music is not too bad, the musicians' poor playing skills pulled down the quality of the musical ensemble's standard. As for the cast, I feel that only the female lead was better, while te rest of the actors were just average. Their costumes, though traditional, sometimes can be a disaster too, when the actors fail to wear according to the role they are portraying. For example, the actors assuming the roles of celestial soldiers were wearing normal wusheng costumes, hence failing to differntitate themselves from mortal soldier roles. These roles might have been very minor roles in the show, but I believe this point should still be observed. The costume wore by the jade fox spirit was weird also, looking more like a cross between a foreign princess and Dou'E from "Snow in June".

Despite my many negative feedback about this troupe, I am still hoping to see more of this troupe. Perhaps I'm positively biased against them since I'm of Xiamen ancestry, and I'm giving leeways because they are still a very new troupe. However, if they fail to work on these weakness and improve themselves, I'd have to classify them together with the other lousy troupes that had utterly disappointed me.

Xiangju Introduction: Zhangzhou's Shaoquan Gezi Opera Troupe

Zhangzhou Shaoquan Gezi Opera Troupe was established in 1990 by Xiangju opera actor Zhuang Shaoquan. Although the troupe had got a relatively short history, it was nevertheless one of the more well-known one among the professional, non-government sponsored troupes. Not only were their scripts well written, their performances were of high standard. The troupe also have have young actors, many of which were either 3rd-graders or had won awards in opera competitions before.

This clip featured here is taken from their show "Qing Zhu Si", adapted from a popular folklore from Anxi region, Quanzhou. It tells the story of Xiauo Chunju, the wife of trader Wang Xiang, who had an affair with a local scholar ("Ju Ren"). After their extra-marital affair was discovered by Wang Xiang, Chunju and her lover tried to poison Wang Xiang by forcing a poisonous snake "Qing Zhu Si" down his throat. Anxi Magistrate Huang Tizhong wanted to solve the case, but could not find any visible evidence on Wang Xiang's body. One night, the Cheng Huang God appeared in Huang's dream, and tipped him off. With the clues given by Cheng Huang God, Huang finally crack the mystery, and had the real culprits nabbed.

When I first heard of this troupe, I wasn't very confident of the troupe. For one, the troupe is from Zhangzhou, and second, it's a non-goverment sponsored troupe. I've watched a few Zhangzhou troupes' performances before, and so far there were only one or two troupes which I can consider good. For those "blacklisted" troupes, either their costumes were a disaster, or the actors could not sing to save their lives, or that their scripts were simply non-exsistence. For Shaoquan Gezi Opera Troupe, fortunately all these negative points were not applicable. In terms of script, I find that it was well-written, without being too lengthy (as with many other similar troupes; a simple story can actually span into a 2-day show!). As for the music, I find it very soothing to the ears, especially their "zasui" tune. At times they sounded quite like the "duma" tune of the Taiwanese opera in the 60s, and I find it very nolstagic. Most importantly, when they combined traditional Xiangju tunes with Taiwanese opera tunes in their show, they are able to blend in with one another, instead of sounding weird. In terms of acting, I think the actors were competent in their respective roles, though I find that the actors who took on the roles of the local scholar and Wang Lanying (Wang Xiang's sister) just average. One thing I had to say is that the actress who acted as Xiao Chunju (featured in this clip above) acted and sang quite well. At lease she doesn't have the squeaky voice like many typical Zhangzhou dans. As for their costumes, their wardrobe had better looking costumes than some other Zhangzhou troupes. Some other troupes which I've seen tried to imitate the costumes worn in Taiwanese opera, but in the end turned out to be a fashion disaster.

In short, I find that this troupe has got a strong cast, music ensemble and production crew. This gave me more confidence in the standards of non-government sponsored Xiangju troupes in Zhangzhou.

Tuesday, November 14, 2006

Yueju Crossover part 4

Below are 2 clips of Qian Huili and Fang Yafen singing arias from "Romance of the Red Mansion" and "Lu You and Tang Huixian" respectively. Qian Huili was trained in Xiaosheng roles singing in Xu-style, whereas Fang Yafen was trained in Huadan roles singing in Yuan-style. The expressive Xu-style of singing is best known for frequent leaps into high notes, hence requires the singer to have a wide vocal range. The Yuan-style of singing was created by Yuan Xuefen, and it was her who paved ways to the creation of other singing styles by other Yue opera masters.

Qian Huili and Fang Yafen are famous Yue opera actresses from Shanghai Yue Opera Company. Their near perfect image on stage made them idols to many Yue opera lovers. However, in this next clip, they sacrificed their wholesome image to play the clownish roles of Third Aunt and Master Shi respectively. Zhang Hailing, a versatile actress from the same opera company who was able to switch between Laosheng and Laodan roles easily, took on a Huadan role in this clip singing Lyu-style instead.

My verdict:
This is the most enjoyable clip in this series, as Fang Yafen and Qian Huili's portayal of Third Aunt and Master Shi were really beyond my expectation. They were so comical that I just can't stop laughing. However, that doesn't make them any less serious. In fact, it was their seriousness in their role that make their renditions a success. Zhang Hailing, on the other hand, did not stand out as much as her role was more of a "serious" one. Her acting and singing were good, but her chubby size made her look a bit comical.

My ratings:
Qian Huili's singing

Qian Huili's acting

Qian Huili's entertainment value

Overall rating for Qian Huili

Fang Yafen's singing

Fang Yafen's acting

Fang Yafen's entertainment value

Overall rating for Fang Yafen

Zhang Hailing's singing

Zhang Hailing's acting

Zhang Hailing's entertainment value

Overall rating for Zhang Hailing

Monday, November 13, 2006

Yueju Crossover part 3

Wu Fenghua is a famous Fan-style Xiaosheng from Shaoxing Yue Opera Troupe while Chen Ying is Fu-style Huadan from Shanghai Yue Opera Company. Below are the clips of both actresses singing excerpts from "The Butterfly Lovers" in seperate renditions.

The Fu-style of singing was created by Fu Quanxiang, who has always been compared to the Coloratura sopranos in western operas, as her flowery singing style requires one to sing in a wide vocal range and usually accompanied by frequent leaps into high notes and pitch slides. In the next clip, they'd switch genders and act as the Princess and her consort respectively in "The Arrogant Princess". The role of the Princess is usually sung by a Lyu-style Huadan (also another of Coloratura-style) whereas the role of the consort is sung by, well, a Fan-style Xiaosheng.

My verdict:
Wu Fenghua's Xiaosheng roles were very good, but however, when she crossed over to the Huadan category, she paled in comparison as her "manliness" could still be found. Hence although she tried to be as gentle as she could, she still felt more like a authoritative Empress than an arrogant Princess. However, the part where she started crying like a little girl after being slapped by her consort made me feel sorry for her, and that managed to win back some points for her. There wasn't much to talk about in terms of her singing as I feel that it sounded close to what a Lyu-style singing should sound like. Overall, I feel that Wu Fenghua's portrayal of the Princess rather cute, as I can never imagine her to take on such roles. Chen Ying, however, was a bit of a disappointment. Her singing as a Fu-style Huadan was good, but not when she tried on the Fan-style. It made her sounded very amatuer, and was one of the poorest among the other actors. Her shen duan, however, was still within my expectation. I have not seen the original version of this show, so I don't really know how the consort actually hit the Princess, but in this version, the consort only gave his princess wife a light smack across the face, which I thought was very comical.

My ratings:

Wu Fenghua's singing

Wu Fenghua's acting

Wu Fenghua's entertainment value

Overall rating for Wu Fenghua

Chen Ying's singing

Chen Ying's acting

Chen Ying's entertainment value

Overall rating for Chen Ying

Yueju Crossover part 2

The following 2 clips features Shan Yangping and Huang Hui from Shanghai Yue Opera Company singing excerpts from "Romance of the Red Mansion" and "The Righteous Yan Lanzhen" respectively.

Shan Yangping is a Wang-style Huadan, it's signature characteristic being frequently sliding between low and high notes in the same song, and that sometimes at the end of each verse, the notes would be sung in a cadenza. Huang Hui, on the other hand, is a Lu-style Xiaosheng. This style of singing doesn't require one to sing in a wide vocal range, but is still able to captivate audience with it's simplicity and elegance. In this next clip from "Legend of He Wenxiu", Shan Yangping took on the lead role of "He Wenxiu", originally acted by Yin-style Xiaosheng and Huang Hui took on the role of Wang Lanying, originally acted by Yuan-style Huadan. Two other supporting roles were featured in this clip, Madam Yang impersonated by Bi-style Xiaosheng Ding Xiaowa and Yang Jinding impersonated by Xu-style Laosheng Jin Hong.

My verdict:
I have no doubts about Shang Yangping's rendition of a xiaosheng, since she had acted the role of Meng Lijun (who had to disguise herself as a male to save her husband-to-be) for over a 2 decades. I was pleasantly suprised that her acting as He Wenxiu was more "manly" compared to Meng Lijun. However, her singing was not within my expectation, as her voice was afterall, not "nasal" enough to sing the Yin-style. Huang Hui's rendition of Wang Lanying was not bad; her singing was close to Yuan-style, and her shen duan is good. However, her looks was a bit weird. I've seen her crossdressed as Laodan before in a crossdress rendition of "The Jade Hairpin", but she didn't look that strange at that time! I guess it could be her makeup, which spoilt her otherwise delicate looks. One thing I must comment is that Jin Hong's impersonation of Yang Jinding was out of my expectation. Jin Hong was known for her villian or strict-faced roles, but I could never imagine her to act as a cute and innocent girl like Yang Jinding.

My ratings:
Shan Yangping's singing

Shan Yangping's acting

Shan Yangping's entertainment value

Overall rating for Shan Yangping

Huang Hui's singing

Shan Yangping's acting

Shan Yangping's entertainment value

Overall rating for Shan Yangping

Yueju Crossover part 1

For those who love Yueju opera, it shouldn't take long to recall what shows and roles Wu Fenghua, Qian Huili or Fang Yafen featured in. However, are you able to visualise them "crossdressing", that is, switch over to act the opposite hang dang in which they were not specialised in?

The first two clips here features Xu Ming from Hangzhou City Yue Opera Troupe singing an excerpt from "The Butterfly Lovers" and Zhang Ruihong from Shanghai Yue Opera Company singing an excerpt from "Female Premier Meng Lijun".

They were trained as xiao sheng and specialised in the Fan-style of singing, which is famous for it's ornamented and prolonged ending notes for each line. However, in this next clip here, they took on the role of Madam Chen and Sun Gumei respectively from the show "The Annulment". The role of Madam Chen, a mix of was to be taken onLaodan and Caidan, was to be acted by a Caidan actress while the role of Sun Gumei, a Huadan, was to be acted by a Fu-style Huadan actress.

My verdict:
Xu Ming's rendition of Madan Chen was really comical, and it's hard to imagine that she was in fact a Xiaosheng if you had not known her before. Zhang Ruihong's initial appearance on stage made me laugh, because I thought she looked weird, but her imitation of Fu-style singing was quite close to how Fu Quanxiang (the founder of this style) sang. However, her shen duan was too stiff for a Huadan, and she seemed a bit hunchedback at times. These made her performance weaker in comparison to Xu Ming.

My ratings:
Xu Ming's singing

Xu Ming's acting

Xu Ming's entertainment value

Overall rating for Xu Ming

Zhang Ruihong's singing

Zhang Ruihong's acting

Zhang Ruihong's entertainment value

Overall rating for Zhang Ruihong