Interesting Du Ma Diao Song

I'm not sure if I've blogged about this before or not, but very long ago, there was this Taiwanese singer by the name of Lin Jun that sang a very interesting song based on the melody of "Du Ma Diao" (one of the major melodies of Taiwanese opera). Recently I happened to chanced upon a MV (self-made one of course) of this song on Youtube, and hence I'm sharing with all the Taiwanese opera fans out there. Enjoy!

Orchestral Nan Yin

Previously I have blogged about fusion of liyuan opera and western orchestra. Well, now nan yin had done the same thing.

Recently, Xiamen Jin Lian Sheng Gaojia Opera Troupe's Wu Jingjing and Li Li had teamed up with Xiamen's philharmonic orchestra and choir to put up an orchestral version of nan yin drama "Chen San and Wuniang". Well, strictly speaking it is not really nan yin drama, but gaojia opera being staged as a musical concert. So you see the orchestra playing in the background and the main characters playing in the foreground, each having almost equal amount of limelight on stage. Unfortunately I couldn't get hold of the video footage of the actual show, but here's a news clip of this event:

And here're the pictures of the actors in action. The costumes are nice!

"Symphonic" Xiangju

Sorry for sidetracking again, as I need time to arrange my information for Chinese opera repertoire myths. In this post, I'm going to showcase a small excerpt of "Symphonic" Xiangju. This time round, it is performed by Zhangzhou City's Yang Yuexia and Zheng Yaling.

This comes as a surprise since this excerpt was presented in an opening ceremony for some cross-straits conference and is being telecasted live over CCTV, China's national TV channel. If I'm not wrong, this is the first time ever that Zhangzhou City Xiangju Opera Troupe ever appeared on national TV in recent years. Previously, it is usually Xiamen Municipality Gezi Opera Troupe that had the honour.

Anyway, back to the clip. I like the way Yang Yuexia sang here because it sounded rather soft and gentle, unlike in live performances whereby the speakers are cranked up to such high volume that everybody sounded very sharp and shrill. However, I hate the musical arrangement of the music. The "symphonic" sound simply sound too much like a fanfare to me, and doesn't quite suit the excerpt. What was on the musical arranger's mind when he/ she did that?!

An interesting note: there is a Yueju fan in China who used to be rather put off by Gezi opera, but when she saw Zheng Yaling in this excerpt, she was totally mersmerised by her!

A.C. Goes Liyuan Opera

No, I'm not leaving my favourite Xiangju to sing Liyuan opera, but as a fan of the latter, I've always wanted to learn how to sing and perform in that genre, and apply whatever I have learn into what I'm doing now. Afterall, it doesn't quite hurt to learn more right?

So here I am, learning how to sing an aria of Chen San from "The Lantern Festival" from "Chen San and Wuniang". Somehow I just find my rendition very odd-sounding, not too sure if it's my singing or that the music, which was made using a MOD tracker, sounded too unauthentic.

"The Teacher, The Thief": an Old Recording 2

Fellow opera troupe mate XJ was very interested in my previous post on an old recording of "The Teacher, The Thief" by Zhangzhou City Opera Troupe (I believe that the troupe used to be called Zhangzhou Xiangju Experimental Troupe" back then), and hence I decided to put up a second clip here. What I like about Xiangju around that era was their "rawness" and full of local flavour. However, the main drawback was that the opera genre back then are not so well-developed, and hence there're many instances whereby I just can't connect with the show as some parts of the plot or dialogue just seem weird.

"The Teacher, The Thief": an Old Recording

"The Teacher, The Thief" (《三家福》) is one of the most well-loved Hokkien opera show of the Xiangju genre, and is also one of the highlights of Zhangzhou City Xiangju Opera Troupe. I've seen performances put up by other troupes, but so far none is able to match theirs in terms of feel.

Our version of "The Teacher, The Thief": the finale

Our opera troupe regularly perform this show too, and it is exactly the same, in terms of script and tunes, to the version performed by Zhangzhou City Xiangju Opera Troupe in 1983 at Kreta Ayer Theatre. Some people may not know, but this version was actually the result of major revisions to the script to make it more concise; the original version, which was adapted from a Buddhist tale, was actually much longer and had more subplots. However, nothing of the original version exist now, except in the memories of some of the older Xiangju artistes, as well as some hard-to-get audio recordings. I was lucky to be able to get hold of it, and though it may not be complete, it nevertheless provide an insight as to how Xiangju sounded like before the 60s.

Zhangzhou City Xiangju Opera Troupe's "The Teacher, The Thief": the finale, recorded many decades ago

Ming Hwa Yuan Taiwanese Opera Company Coming to Singapore

Leading Taiwanese opera troupe Ming Hwa Yuan Taiwanese Opera Company (明华园戏剧总团) is coming to Singapore soon to perform.

As part of the Moonfest for this year (mid-autumn festival celebration), the company will be staging their well-loved show, "The Immortal of Penglai" (蓬莱大仙), starring Sun Cuifeng as the leading character.


"The Immortal of Penglai" tells the story of a handsome, but arrogant half-deity Li Xuan, who offended the Goddess of Yue, and in revenge, the latter destroyed his mortal body while his soul was away. In order not to become a roaming ghost, Li Xuan had no choice but to attach his soul onto the body of a dead beggar, and became the more popularly-known "Iron-clutch Li" of the Eight Immortals.

This Hokkien opera will be staged at the Esplanade Theatre on 6 and 7 September, 8pm, and tickets are already on sale at SISTIC. Fans of Hokkien opera, please set these dates aside for this event!

Xiangju Opera Version's "The Three Scholars of the Zhang Family"

Fans of Hokkien Gezi opera will not be unfamiliar with "The Three Scholars of the Zhang Family" (一门三进士), as it's considered a gem of the genre, and has been an all-time favourite among local Gezi opera lovers.

This show, however, is seldom performed in Xiangju version. Today, I was lucky to find one on Tudou.com. There're 2 surprising points to note: it's performed by a Xiangju opera troupe from Quanzhou (Quanzhou is not a strong base for Xiangju, to start with), and secondly, the songs sung are exactly as they were in the Yang Lihua version decades back. Of course, however, their songs have more Xiangju feel, for afterall this is Xiangju and not Gezi opera. Although this troupe came from Quanzhou, they do not spot the typical Quanzhou accent as like in Gaojia opera, Liyuan opera or Dacheng opera. The reason for this was because Xiangju opera spread there during the period of time when Xiangju master Shao Jianghai was recuperating in that region. Shao Jianghai started teaching Xiangju opera there, and since he had stayed in Zhangzhou long enough, naturally he spotted a Zhangzhou accent, and his students picked up this characteristic as well.

Shaoxing Lian Hua Luo Opera's "The Teacher, The Thief"

Our troupe will be performing our most well-loved show "The Teacher, The Thief" (三家福) this Friday at Tampines East Community Club. It has been ages since we last performed this show, and I'm excited over it, because this is one of the very few shows which I play the lead.


In conjunction with our performance, I've decided to showcase another rendition of this show in the genre of Shaoxing Lian Hua Luo opera. "Lian Hua Luo" is actually a form of folk opera which evolved from street performances in the olden days featuring beggars and street artisans playing simple musical instruments, dancing and singing along. Anyway, my reason of showcasing this version of "The Teacher, The Thief" is not entirely due to us going to perform soon. I'm showing it partly also to show my happiness that our opera genre's show has been adapted into other opera genres. In the past, it usually that we adapt shows from other genres but not the other way round. Having our own shows adapted into other other genre to me is a very important thing, as it is an indication of the high standard the show has, and also it allows more people to know the existence of our opera genre (that is, of course, if our opera genre was clearly credited).

The Golden Phoenix

Chiling Village of Zhangpu county is a place in Zhangpu county resided mainly by the She minority group. Despite it's relatively unknown status as compared to other big cities in Zhangzhou, it has found itself in the limelight after an opera troupe from this village, Jin Feng Xiangju Opera Troupe, became the top touring Hokkien opera troupe in Malaysia (as described in my previous post). Troupe leader Lan Yajin has now started a second opera troupe, and is planning to conquer other overseas venues like Singapore as well. I certainly look forward to that day!

Malaysia's "Champion Touring Hokkien Opera Troupe"

For those who are avid Hokkien opera fans in Singapore would probably know that the "champion touring Hokkien opera troupe" (local ones excluded) in Singapore is Xiamen Municipality Gezi Opera Troupe. Then how many know who's the Malaysian equivalent of the same honour? It's Jinfeng Xiangju Troupe from Zhangpu county, Zhangzhou. Other than geographical differences of their home base, Jinfeng Xiangju Opera Troupe is different from Xiamen Municipality Gezi Opera Troupe too in the sense it is not a government-sponsored troupe. Can you image this: since the troupe's founding 4 years ago, it had performed 393 days in total! With such a glorious achievement, I really want to see how the troupe's like in action...

International Hokkien Opera Gala - Hokkien Opera From China, Taiwan and Singapore to Perform Alongside Next Month

For the upcoming Chinese Cultural Festival, 3 Hokkien opera troupes, one each from Taiwan, China and Singapore respectively, will be coming together to perform in a few excerpts for our local audiences. The three troupes participating in this gala are: A Yuan Opera Troupe (阿源戏班) from Taiwan, Zhangzhou City Xiangju Opera Troupe (漳州市芗剧团) from Zhangzhou, China, and our very own Bukit Panjang Hokkien Konghuay Opera Troupe. This performance gala will be taged over 3 nights in 3 different community clubs, and the details are as follow:

Date: 29 Feb. 2008
Venue: Tampines East Community Club theatratte
Time: 7.30pm
Tickets: $10, $20
Programmes:
"The Secret Engagement" from "Romance of the Dragon Princess" (Hokkien Konghuay Opera Troupe)
"The Arrogant Princess" (Hokkien Konghuay Opera Troupe)
"Daiyu Buries the Fallen Flowers" from "Romance of the Red Mansion" (Hokkien Konghuay Opera Troupe)
"Shanbo Bids Yingtai Farewell" from "The Butterfly Lovers" (Zhangzhou City Xiangju Opera Troupe)
"Chen San Brings Water" and "Yi Chun Stops Chen San" from "Chen San Wu Niang" (A Yuan Opera Troupe)


Date: 1 Mar. 2008
Venue: Taman Jurong Community Club
Time: 7.30pm
Tickets: $5
Programmes:
"The Secret Engagement" from "Romance of the Dragon Princess" (Hokkien Konghuay Opera Troupe)
"The Arrogant Princess" (Hokkien Konghuay Opera Troupe)
"Daiyu Buries the Fallen Flowers" from "Romance of the Red Mansion" (Hokkien Konghuay Opera Troupe)
"Shanbo Bids Yingtai Farewell" from "The Butterfly Lovers" (Zhangzhou City Xiangju Opera Troupe)
"Yi Chun Stops Chen San" and "Double Jealousy" from "Chen San Wu Niang" (A Yuan Opera Troupe)


Date: 2 Mar. 2008
Venue: Chong Pang Community Club multi-purpose hall
Time: 7.30pm
Tickets: Free admission
Programmes:
"The Secret Engagement" from "Romance of the Dragon Princess" (Hokkien Konghuay Opera Troupe)
"The Arrogant Princess" (Hokkien Konghuay Opera Troupe)
"Daiyu Buries the Fallen Flowers" from "Romance of the Red Mansion" (Hokkien Konghuay Opera Troupe)
"Shanbo Bids Yingtai Farewell" from "The Butterfly Lovers" (Zhangzhou City Xiangju Opera Troupe)
"Wu Song and Pan Jinlian" (A Yuan Opera Troupe)

Hokkien Liyuan Opera: Li Yaxian

I went for Siong Leng Musical Association's "Li Yaxian" performance last Saturday afternoon, and the melody of Liyuan opera is still in my mind. Sad to say, not many people around me, including those who are into Chinese opera, are able to appreciate such opera, most claiming it to be too slow-paced.

Siong Leng's version of "Li Yaxian", despite having said to incorporate a modern-day character and some contemporary drama elements inside, is still rather traditional. The role of the modern-day character, a photographer, is somewhat a narrator to the different excerpts of the show (some scenes were snipped to make the show more concise). Along the way, this photographer "interviewed" the actors playing the various roles with regards to the show. I think this part is rather creative, for Liyuan opera, being a very ancient form of opera, might be too distant for many young people to be able to appreciate, especially how the characters in the show think and feel. By doing so, it somehow bridge the gap between the modern audience and the ancient roles of the opera. Besides the creativity shown here, I'm also rather satisfied with the performance venue. Liyuan opera is not known to be a opera featuring lavish set or grand casts, and I think the recital studio is just a perfect place for such a small-scale opera; the acting space is not too big, yet the lighting and sound facilities are good enough.

It's a pity I wasn't able to take pictures or do video recording within the venue itself, so for now, I'll just showcase two excerpts from this show, performed by Quanzhou City Liyuan Opera Experimental Troupe. The two excerpts here are "The Ball Game" and "Lian Hua Luo".

Hokkien Xiangju Opera "The Bridge of Mother and Son"

Showcasing here, are two clips from Hokkien Xiangju opera “The Bridge of Mother and Son”. Now some of you viewers, especially those from my opera troupe as well as those who had watched Zhangzhou City Xiangju Opera Troupe’s show, might think how come these clips don’t seem familiar. The version featured here is performed by Zhangpu County Xiangju Opera Troupe, and is actually the original version before Zhangzhou City Xiangju Opera Troupe revised the show and made it part of their repertoire.

Allow me to say a bit about the show. The script was written by the late Xiangju opera scriptwriter Tang Yinchang, who is renowned for his works like “The Tale of the Medicinal Stone” and “Protecting the Baby”. His masterpieces usually centred on family-orientated themes which touch the hearts of the common-folks. In this show, the plot is about an unfilial son Liu San, who forgot about his mother’s existence after he got married to Qi’niang. His mother, Madam Xu, got so upset that she was forced to attempt suicide but was saved by the magistrate. The magistrate was furious when he found out what happened and wanted to imprison the young couple, but was stopped by his wife. He then invited Liu San and Qi’niang over to hint them if they had lost anything valuable at home. The young couple counted everything they had at home, but missing out on Madam Xu. The magistrate finally lost his temper and wanted to throw them into jail. It was only at this juncture did Liu San finally recalled he had a mother whom he had not seen for a long time. After crying out to his mother, Madam Xu ran out to see her son, and both hugged together in tears. The magistrate allowed the young couple to bring Madam Xu home, but Liu San and Qi’niang were remorseful for their past actions, and suggested that they be locked up as a punishment. The magistrate agreed and arranged for them to stay for the night in the jail while Madam Xu became their invited guest for dinner.

In my opinion, Zhangpu County Xiang Opera Troupe’s performance standard is rather average, especially in terms of singing. Some of the actors actually sang rather badly. However, I think the troupe do score point in terms of their script, as I believe the late Master Tang was their anchor scriptwriter. Their music is also one of their strength too, and I particularly like their “Zasui” melody a lot.

With the demise of Master Tang, I’m not sure what the direction is for the troupe, and it has been quite a while since there was news from them. Hopefully the troupe will not fall apart just like that, for after all, they had produced quite a few well-received shows in the past.

Hokkien Liyuan Opera - "Li Yaxian"

Siong Leng Musical Association will be staging a Liyuan opera titled "Li Yaxian" at the Esplanade Recital Studio next month. This will be the association's first full-length Liyuan opera performance for over a decade.

The Liyuan opera has got the reputation of being Chinese opera's living heritage as it has got a long history of 800 years, and it was even said that the ways huadans in Liyuan opera moved and walked were actually inspired by how women really walked back in the Ming dynasty. The repertoire for Liyuan opera is also one of the rarest; some of the scripts dates back to the era of Song dynasty's "Zaju" opera and had already been extinct in other opera genres.

"Li Yaxian" is one of the most popular shows that are still being performed in Liyuan opera. It tells the story of a talented scholar, Zheng Yuanhe, who fell in love with a beautiful courtesan named Li Yaxian while on his way to sit for the imperial examinations. In order to get close to this beauty, Yuanhe decided to step into the "forbidden zone" - the brothel which Yaxian lived in. Brothel owner Madame Li knew this was a good opportunity to cheat Yuanhe of his money, so she decided to bring the couple together. After neglecting his studies and having used up all his money, the heartless Madame Li had Yuanhe chased out, and Yaxian used her own money to redeem herself to go in search of Yuanhe.

For Siong Leng's performance, however, there was a slight change to the script, for now, the love story of Zheng Yuanhe and Li Yaxian would be unfold through the camera lens of a modern-day photographer. That makes me curious over one point: this performance has been introduced as a "Liyuan opera", but is it going to be really a pure Liyuan opera, for it seems that there is a bit of contemporary drama essence involved. My guess is that it could be something like "Titoudao", a fusion of contemporary drama with authentic Chinese opera, just that in this case, the dosage of Liyuan opera would be much stronger, and lesser concentration on contemporary drama (maybe 10% or lesser). If that is the case, labelling this show as "Liyuan opera" might be a bit misleading, for those who is more into watching "authentic" Chinese opera. Nevertheless, I still feel that this show sounds interesting, and should be a good performance to catch.

"Li Yaxian" is part of the "Chinese opera delights" series by the Esplanade, and shall be staged on 11 August 2007, 3pm and 8pm, at the Esplanade Ricital Studio. Tickets are priced at $35 (senior citizens, NSF and students enjoy a concession price of $26), and is available at SISTIC.

Zhangpu Da Che Gu Opera

Other than being home to the Bamboo Horse Opera, Zhangpu county is also home to 1300 year-old Zhangpu Da Che Gu Opera (漳浦大车鼓). Zhangpu Da Che Gu is a sub-branch of Che Gu folk opera which was once popular throughout the whole of Southern Fujian province, Chaozhou districts in Guangdong province and also Taiwan. The other notable styles of Che Gu opera include Tong'an Che Gu (同安车鼓) and Taiwan Che Gu (台湾车鼓阵).

Zhangpu Che Gu opera, compared to other forms of Che Gu styles in the region, is more robust, as it was originally performed by male soldiers in ancient times. It was said that Chen Yuanguang, the founding pioneer of Zhangzhou, brought his troop into Zhangzhou after a victorious battle, and in celebration, the soilderis performed a dance accompanied with strong drums and percussions. This form of military dance formed the basis of Zhangpu Che Gu, and centuries later, singing was added to the dance to spice up this ancient art form.

"Zhaojun Leaves Her Hometown"

Zhangpu Bamboo Horse Opera

Fujian province is considered "the hometown of Chinese operas", and this is not without very valid reasons. Other than having 2 of the oldest surviving Chinese opera genres (Liyuan opera and Puxian opera) in the province, there are many lesser known, but equally ancient forms of folk operas.

Zhangpu Bamboo Horse Opera (竹马戏) is a form of folk opera which was developed from the ancient Bamboo Horse Dance, which had existed since the Tang dynasty. Back then, this form of dance did not have it's specific name, but since dancers doing this dance would don a model of a horse made of bamboo and paper or cloth, people in later generations started to call it the Bamboo Horse dance.

Traditional Bamboo Horse Opera only has a vey small repetoire, with "Wang Zhaojun" and "Grievances of Wang Zhaojun" being rhe most commonly performed shows. At the peak of the opera's popularity before the cultural revolution, many opera troupes dedicating to Bamboo Horse Opera started adapting shows from other opera forms into their own reportoire, thus greatly increased this opera form's artistic value. However, this form of opera went into rapid decline after the cultural revolution, and was once thought to have become extinct. Fortunately, in the past decade, the relevant authorities in Zhangzhou region started paying attention to the preservation of this ancient opera form, and results had been rather positive. However, for this form of opera to really become popular again, it would require a lot more effort and publicity.

Currently there are no professional Bamboo Horse Opera troupes in China, though Bamboo Horse Dance can still be seen at times in Zhangpu and Nanjing regions in Zhangzhou, as well as various parts of the Chaozhou districts in Guangdong province during festive seasons.

"Song of the Four Seasons"

Hokkien Dacheng Opera

Fujian province is one of the major Chinese opera districts in China as there're more than 30 different Chinese opera genres, both major (Liyuan opera, Puxian opera, Gaojia opera, Xiangju opera, Teochew opera) as well as minor (Zhuma opera, Dacheng opera, Siping opera, etc.)

Dacheng opera (打城戏), also known as the "Priests' opera" or "Monks' opera" (师公戏, 和尚戏), was originally a form of religious ritual performed during funerals or Hungry Gohst Festivals. The priests and monks would perform in front of a paper tower built in the form of a city tower, and hence got it's name. According to historical data, this form of opera was formed at the start of the last century, but it's origin dates back to as far as the Ming dynasty. It has the essence of Nanyin music as well as southern Shaolin martial stunts, truely one of the rarest form of opera still present.

Sad to say, due to various reasons, Dacheng opera now has got no professional nor government sponsored troupes, and it seemed that there was only one surviving amateur troupe left in the whole of China. However, all is not lost; earlier this year, the Dacheng opera performed "Mu Lian Saves His Mother" in a performing arts festival in India and clinched the highest award. This show, which had roots in India, was the hot topic during the festival, and news of the opera troupe were constantly being reported in the local papers and television. Well, it seemed like a light at the end of the tunnel of this opera genre!

The Multiple Faces of Hokkien Gezi Opera (XiangJu): "The Egretta Garzetta Goddess"

The Hokkien Gezi Opera (Xiangju) is the only Chinese opera genre that is borned outside mainland China, in Taiwan. Being one of the youngest Chinese opera genres, it is a very versatile opera genre that is able to adapt to different performance style.

Produced by Xiamen Municipality Gezi Opera Troupe in 2000, "The Egretta Garzetta Goddess" depicts a well-known legend of how Xiamen Island, also known as "Island of Egretta garzetta" was formed. Legend has it that the island was formerly an unknown island. A egretta garzetta fairy met and fell in love with a mortal who was known to be able to churn melodious music. A snake demoness got jealous of their love and tried to seperate them. The mortal was transformed into a rock while the egretta garzetta sacrificed her life to save her lover. This island was later known as "Island of Egretta Garzetta" in honour of this egretta garzetta fairy.

This show is unique in the sense that the show's music was accompanied mainly using symphonic orchestra and Chinese orchestra as supporting. In terms of performance style, it incorporated alot of western musical essence too.

Xiangju Introduction: Xiamen Min-nan Cultural Gezi Opera Troupe

Xiamen Min-nan Cultural Gezi Opera Troupe, if my gathered information is correct, was established only this year, making this troupe one of the youngest to the Hokkien opera arts scene. Not to be confused with Xiamen Municipality Gezi Opera Troupe which is a government sponsored troupe, this troupe is a professional but self-funded one. The troupe consists of mainly young actors, and although they are based in Xiamen, many of the actors are actually speaking in Zhangzhou accent. In fact, their Zhangzhou accent are so strong that I was wondering if these actors are native Zhangzhou people and not Xiamen.



This clip here was taken from the show "Justice Bao Slays The Princess Consort". It tells the story of Pang Xiong, a poor scholar who was saved by a rich man, Chen Qichang, in a flood and was subsequently adopted as his godson. Pang seemed like a refined young man, but he was actually a wolf in sheep's clothing. He seduced Chen's daughter, Xiuying, into having an affair with him, and stole a priceless night-glowing pearl from Chen's son Shirong while he was asleep during their trip to sit for the imperial examinations. Pang topped the imperial examinations, and by chance saved the Princess from a curse with the night-glowing pearl, which was actually a celestial treasure with magical powers. Subsequently, he became the Princess Consort, and Xiuying, who was already pregnant with his child, was left forgotten. Xiuying escaped from home to search for Pang, but was thrown out by him. Afraid that his relationship with Xiuying would hinder his marriage and career, he decided to had Xiuying silenced. Fortunately, Pang failed in his attempt to kill Xiuying, and with the intervention from Justice Bao, the heartless man finally met his desserts and was executed.



Personally, I am not quite pleased with the storyline, for it was far too long-winded. The synopsis I had given earlier was just the essence of the whole show. In the original show, there were other sub-plots like a jade fox spirit trying to create havoc by flooding the Eastern City, Taishang Laojun gave Chen Qichang the magical night-glowing pearl as a protective charm, the Jade fox spirit put a curse on the Princess to make her go crazy, and so on. To be honest, I don't think all these sub-plots do not really contribute much to the main storyline, and can actually be cut down to make the story more streamlined. Another area which I'm not very pleased with the troupe is the standard of the musical ensemble. Though their music is not too bad, the musicians' poor playing skills pulled down the quality of the musical ensemble's standard. As for the cast, I feel that only the female lead was better, while te rest of the actors were just average. Their costumes, though traditional, sometimes can be a disaster too, when the actors fail to wear according to the role they are portraying. For example, the actors assuming the roles of celestial soldiers were wearing normal wusheng costumes, hence failing to differntitate themselves from mortal soldier roles. These roles might have been very minor roles in the show, but I believe this point should still be observed. The costume wore by the jade fox spirit was weird also, looking more like a cross between a foreign princess and Dou'E from "Snow in June".

Despite my many negative feedback about this troupe, I am still hoping to see more of this troupe. Perhaps I'm positively biased against them since I'm of Xiamen ancestry, and I'm giving leeways because they are still a very new troupe. However, if they fail to work on these weakness and improve themselves, I'd have to classify them together with the other lousy troupes that had utterly disappointed me.