In the Mood for "Yuan Xiao"

It is the 15th day of the Lunar New Year tomorrow, and that marks the end of the Lunar New Year celebration for this year.

The 15th day of the Lunar New Year, known as "Yuan Xiao" in Chinese, can be said to be the ancient Chinese equivalent of Valentine's Day, because this is the time of the year whereby young unmarried women can get out of their homes to attend lantern fairs, to be seen by young unmarried men, and thereby increasing the chance of finding their perfect soulmate.

In Chinese opera, there is quite a number of well known romantic stories set during "Yuan Xiao", and one of which is the short excerpt "Watching the Lanterns" from the Liyuan opera show "The Legend of Chen San and Wu Niang". In conjunction with this festive occasion, I decided to sing this excerpt for all to hear. But I am not going to sing just one role, but all roles in this excerpt. Hence, you will hear me sing Chen San (the male lead), Wu Niang (the female lead), Yi Chun (the maid of the female lead) and Sister Li (the clownish matchmaker), and also double-up as the backup singers.

Of course, this is all done for the sake of entertainment, and please pardon me if my singing is not up to standard, but I have already tried my best!

Orchestral Liyuan Opera

Liyuan opera has its own set of musical instruments which is not shared by many other opera genres. Therefore, it is very rare to have Liyuan opera collaborating with other musical genres, not even Chinese orchestra. However, lately, Fujian Province Liyuan Experimental Opera Troupe has been invited to perform in Beijing with the accompaniment of western orchestra. Take a look at it here:

A.C. Goes Liyuan Opera

No, I'm not leaving my favourite Xiangju to sing Liyuan opera, but as a fan of the latter, I've always wanted to learn how to sing and perform in that genre, and apply whatever I have learn into what I'm doing now. Afterall, it doesn't quite hurt to learn more right?

So here I am, learning how to sing an aria of Chen San from "The Lantern Festival" from "Chen San and Wuniang". Somehow I just find my rendition very odd-sounding, not too sure if it's my singing or that the music, which was made using a MOD tracker, sounded too unauthentic.

Stylish Elements in a Traditional Opera Genre: Quanzhou Liyuan Opera

Quanzhou's Liyuan opera may be one of the oldest existing form of Chinese opera in China, but it doesn't mean that they are so traditional to the point they become old-fashion. At least not in terms of character makeup (costume and hairdo). Instead of spotting regular "datou" on female roles as in more traditional opera genres like Peking opera and Cantonese opera, Liyuan opera had gone through a fair bit of "cosmetic surgery" to inject some modern elements in their character portrayal. Below  are some pictures taken during Fujian Liyuan Opera Experimental Troupe's performance at Taiwan earlier this year. The troupe performed an excerpt from "Li Yaxian" for the opening of Koxinga Festival.

Actually, the "datou" system of hairdo has not been completely removed from Liyuan opera, but their style of "datou" is very different from other opera genre; some featured sharp pointed fringes, some had slanted gelled fringes, and typical the actors do not decorate their hair as elaborate as other opera genres, hence creating a more minimalist and elegant look. Here are some other character portrayals from other shows by the same troupe.

Hokkien Liyuan Opera: Li Yaxian

I went for Siong Leng Musical Association's "Li Yaxian" performance last Saturday afternoon, and the melody of Liyuan opera is still in my mind. Sad to say, not many people around me, including those who are into Chinese opera, are able to appreciate such opera, most claiming it to be too slow-paced.

Siong Leng's version of "Li Yaxian", despite having said to incorporate a modern-day character and some contemporary drama elements inside, is still rather traditional. The role of the modern-day character, a photographer, is somewhat a narrator to the different excerpts of the show (some scenes were snipped to make the show more concise). Along the way, this photographer "interviewed" the actors playing the various roles with regards to the show. I think this part is rather creative, for Liyuan opera, being a very ancient form of opera, might be too distant for many young people to be able to appreciate, especially how the characters in the show think and feel. By doing so, it somehow bridge the gap between the modern audience and the ancient roles of the opera. Besides the creativity shown here, I'm also rather satisfied with the performance venue. Liyuan opera is not known to be a opera featuring lavish set or grand casts, and I think the recital studio is just a perfect place for such a small-scale opera; the acting space is not too big, yet the lighting and sound facilities are good enough.

It's a pity I wasn't able to take pictures or do video recording within the venue itself, so for now, I'll just showcase two excerpts from this show, performed by Quanzhou City Liyuan Opera Experimental Troupe. The two excerpts here are "The Ball Game" and "Lian Hua Luo".

Hokkien Gao Jia Opera Excerpt "Three Thousand Taels of Gold"

Miko had justed posted a video of her troupe (Liyuan opera) rehearsing the part on "Three Thousand Taels of Gold" (from the show "Li Yaxian") in her blog, and now I shall post the Gaojia opera version of it up as well.

This version here is performed by Wu Jingjing of Xiamen Jin Lian Sheng Gaojia Opera Troupe. The singing aria for the main role in this excerpt, Zheng Yuanhe, is the same for both opera genres, with a slight difference in some wordings. However, as this excerpt here is intended to be performed as a standalone excerpt with little connection to the original show, it has been re-choreographed, and therefore those who are familiar with the Liyuan opera version of this excerpt may find this version a bit unfamiliar.

Hokkien Liyuan Opera - "Li Yaxian"

Siong Leng Musical Association will be staging a Liyuan opera titled "Li Yaxian" at the Esplanade Recital Studio next month. This will be the association's first full-length Liyuan opera performance for over a decade.

The Liyuan opera has got the reputation of being Chinese opera's living heritage as it has got a long history of 800 years, and it was even said that the ways huadans in Liyuan opera moved and walked were actually inspired by how women really walked back in the Ming dynasty. The repertoire for Liyuan opera is also one of the rarest; some of the scripts dates back to the era of Song dynasty's "Zaju" opera and had already been extinct in other opera genres.

"Li Yaxian" is one of the most popular shows that are still being performed in Liyuan opera. It tells the story of a talented scholar, Zheng Yuanhe, who fell in love with a beautiful courtesan named Li Yaxian while on his way to sit for the imperial examinations. In order to get close to this beauty, Yuanhe decided to step into the "forbidden zone" - the brothel which Yaxian lived in. Brothel owner Madame Li knew this was a good opportunity to cheat Yuanhe of his money, so she decided to bring the couple together. After neglecting his studies and having used up all his money, the heartless Madame Li had Yuanhe chased out, and Yaxian used her own money to redeem herself to go in search of Yuanhe.

For Siong Leng's performance, however, there was a slight change to the script, for now, the love story of Zheng Yuanhe and Li Yaxian would be unfold through the camera lens of a modern-day photographer. That makes me curious over one point: this performance has been introduced as a "Liyuan opera", but is it going to be really a pure Liyuan opera, for it seems that there is a bit of contemporary drama essence involved. My guess is that it could be something like "Titoudao", a fusion of contemporary drama with authentic Chinese opera, just that in this case, the dosage of Liyuan opera would be much stronger, and lesser concentration on contemporary drama (maybe 10% or lesser). If that is the case, labelling this show as "Liyuan opera" might be a bit misleading, for those who is more into watching "authentic" Chinese opera. Nevertheless, I still feel that this show sounds interesting, and should be a good performance to catch.

"Li Yaxian" is part of the "Chinese opera delights" series by the Esplanade, and shall be staged on 11 August 2007, 3pm and 8pm, at the Esplanade Ricital Studio. Tickets are priced at $35 (senior citizens, NSF and students enjoy a concession price of $26), and is available at SISTIC.