Showing posts with label Xiamen. Show all posts
Showing posts with label Xiamen. Show all posts

Sunday, February 08, 2009

Experimental Gezi Opera

Xiamen Municipality Gezi Opera Troupe just went experimental in their latest production "Dream of the Lotus Pond". This is also a long-awaited new production ever since they started on their mega-project "Shao Jianghai".

"Dream of the Lotus Pond" is one of a kind in Gezi opera genre, or at very least in mainland China, as this production was not staged in a typical proscenium setting, but in a traverse stage. Staged in Xiamen Cultural Centre's Xianfeng Theatre, the actors had to enter and leave stage through the audience seating area. Surprisingly, the audience seemed to be able to accept this relatively unconventional way of Chinese opera presentation rather well, and members of the audience gave positive feedbacks like "very intimate" and "very direct". In fact, it seems that this form of presentation is very suitable for this production, since this show is not about narrating a story, but more of telling a moral. Unfortunately I'm unable to tell more about the plot as I can't seemed to find a synopsis or summary of the plot off the net. Luckily though, I found quite a number of rather well-taken photographs of the show in action. So sit back, and enjoy!



















Tuesday, February 05, 2008

A Clip from Gezi Opera "Shao Jianghai"

"Shao Jianghai" is the most classic and popular show of Xiamen Municipality Gezi Opera Troupe. It has even gained the reputation of being "the most classic show of a minor opera genre" by critics. Because of this show, Chinese opera practitioners outside Fujian province started to realise Gezi opera's existence. This show is also the first Gezi opera show to compete with other major opera genres to clinch the prestigious "National Project to the Distillation Of the Stage Art" award (top 10 selected works will be made into DVDs and released China wide). Unfortunately, it did not made it into the finals, but then again, it was a big achievement to even make it into the semi-finals, a major step to push this operatic form beyond the boundaries of Fujian province.


However, when there're achievements, there're negative aspects too. Since 1999, the troupe has been putting full attention into this show, having made up to 5 major revisions till date. This amount of attention has caused the troupe to put less focus on other shows, and it was said that other than "The Grievances of Dou'E", which the troupe had specially produced to take part in the International Hokkien Opera Festival in Taipei in 2006, they had virtually no new shows. A Xiamen friend of mine even lamented that for the past 5 years in Xiamen, all he can watch of the troupe was "Shao Jianghai" and nothing else!

On a side note: Xiamen Municipality Gezi Opera Troupe is scheduled to perform in Singapore in around April, in conjunction with the birthday celebration of Lord Chenghuang at Lor Koo Chye Sheng Hong Temple. Details will be put up once released by the temple.

Monday, February 04, 2008

Xiamen Municipality Gezi Opera Troupe's "Shao Jianghai" to Appear on CCTV's Spring Festival Chinese Opera Gala Once Again

Xiamen Municipality Gezi Opera Troupe will be featured in CCTV (China Central Television)'s Spring Festival Chinese Opera Gala once again this year. This year, the troupe will send representatives to perform in an excerpt from their most popular show to date, "Shao Jianghai". This will be their second time performing excerpts from Shao Jianghai again on this gala, the first being in 2003. Back then, they performed a song titled "Garbage Soup", a light-hearted song from the opera, which was originally written by the late Gezi opera master Shao Jianghai for a real Gezi opera show. This time round, the troupe will be performing another excerpt titled "The Plowing Song". This excerpt is another highlight of the opera, which features actors using both traditional Chinese opera gestures, contemporary theatre techniques and modern dance movements to create the impression of rice planting in the padi field.



Xiamen Municipality Gezi Opera Troupe is the only Gezi opera troupe that has even appeared on the Spring Festival Chinese Opera Gala, not once, but 5 times, including this year. In 2002, the troupe had their debut appearance on the gala performing selection from "The Egretta Garzetta Goddess". That was followed by "Garbage Song" from "Shao Jianghai" in 2003, "Bride from Amoy" in 2004, and selection from "The Teacher, The Thief" in 2006.

Thursday, April 19, 2007

The Multiple Faces of Hokkien Gezi Opera (XiangJu): "The Egretta Garzetta Goddess"

The Hokkien Gezi Opera (Xiangju) is the only Chinese opera genre that is borned outside mainland China, in Taiwan. Being one of the youngest Chinese opera genres, it is a very versatile opera genre that is able to adapt to different performance style.

Produced by Xiamen Municipality Gezi Opera Troupe in 2000, "The Egretta Garzetta Goddess" depicts a well-known legend of how Xiamen Island, also known as "Island of Egretta garzetta" was formed. Legend has it that the island was formerly an unknown island. A egretta garzetta fairy met and fell in love with a mortal who was known to be able to churn melodious music. A snake demoness got jealous of their love and tried to seperate them. The mortal was transformed into a rock while the egretta garzetta sacrificed her life to save her lover. This island was later known as "Island of Egretta Garzetta" in honour of this egretta garzetta fairy.

This show is unique in the sense that the show's music was accompanied mainly using symphonic orchestra and Chinese orchestra as supporting. In terms of performance style, it incorporated alot of western musical essence too.




Saturday, November 25, 2006

Xiangju Introduction: Xiamen Min-nan Cultural Gezi Opera Troupe

Xiamen Min-nan Cultural Gezi Opera Troupe, if my gathered information is correct, was established only this year, making this troupe one of the youngest to the Hokkien opera arts scene. Not to be confused with Xiamen Municipality Gezi Opera Troupe which is a government sponsored troupe, this troupe is a professional but self-funded one. The troupe consists of mainly young actors, and although they are based in Xiamen, many of the actors are actually speaking in Zhangzhou accent. In fact, their Zhangzhou accent are so strong that I was wondering if these actors are native Zhangzhou people and not Xiamen.



This clip here was taken from the show "Justice Bao Slays The Princess Consort". It tells the story of Pang Xiong, a poor scholar who was saved by a rich man, Chen Qichang, in a flood and was subsequently adopted as his godson. Pang seemed like a refined young man, but he was actually a wolf in sheep's clothing. He seduced Chen's daughter, Xiuying, into having an affair with him, and stole a priceless night-glowing pearl from Chen's son Shirong while he was asleep during their trip to sit for the imperial examinations. Pang topped the imperial examinations, and by chance saved the Princess from a curse with the night-glowing pearl, which was actually a celestial treasure with magical powers. Subsequently, he became the Princess Consort, and Xiuying, who was already pregnant with his child, was left forgotten. Xiuying escaped from home to search for Pang, but was thrown out by him. Afraid that his relationship with Xiuying would hinder his marriage and career, he decided to had Xiuying silenced. Fortunately, Pang failed in his attempt to kill Xiuying, and with the intervention from Justice Bao, the heartless man finally met his desserts and was executed.



Personally, I am not quite pleased with the storyline, for it was far too long-winded. The synopsis I had given earlier was just the essence of the whole show. In the original show, there were other sub-plots like a jade fox spirit trying to create havoc by flooding the Eastern City, Taishang Laojun gave Chen Qichang the magical night-glowing pearl as a protective charm, the Jade fox spirit put a curse on the Princess to make her go crazy, and so on. To be honest, I don't think all these sub-plots do not really contribute much to the main storyline, and can actually be cut down to make the story more streamlined. Another area which I'm not very pleased with the troupe is the standard of the musical ensemble. Though their music is not too bad, the musicians' poor playing skills pulled down the quality of the musical ensemble's standard. As for the cast, I feel that only the female lead was better, while te rest of the actors were just average. Their costumes, though traditional, sometimes can be a disaster too, when the actors fail to wear according to the role they are portraying. For example, the actors assuming the roles of celestial soldiers were wearing normal wusheng costumes, hence failing to differntitate themselves from mortal soldier roles. These roles might have been very minor roles in the show, but I believe this point should still be observed. The costume wore by the jade fox spirit was weird also, looking more like a cross between a foreign princess and Dou'E from "Snow in June".

Despite my many negative feedback about this troupe, I am still hoping to see more of this troupe. Perhaps I'm positively biased against them since I'm of Xiamen ancestry, and I'm giving leeways because they are still a very new troupe. However, if they fail to work on these weakness and improve themselves, I'd have to classify them together with the other lousy troupes that had utterly disappointed me.